Several sources, including an exclusive Variety report, IMDb, and several others, say the upcoming film frames Bitcoin’s invention as a disruptive technology that rattles entrenched power, using fiction to probe monetary control and unanswered questions around Nakamoto’s identity. Inside reports disclose that it follows unlikely antiheroes confronting institutions uneasy with an open, programmable financial network.

Liman teams with screenwriter Nick Schenk, known for “Gran Torino” and “The Mule,” while Ben Affleck’s brother Casey Affleck and Pete Davidson are attached in undisclosed roles. Reports claim the package blends an action-thriller director with talent spanning awards drama, and sketch comedy, signaling both prestige and mainstream reach.

Producers include Ryan Kavanaugh, Lawrence Grey, and Shane Valdez, with financing via Proxima and Aperture Media Partners. The project is in pre-production at the time of reporting, and the backing marks a fresh studio-scale push to bring a BTC-centric narrative into multiplexes after years of documentaries and streaming features.

Reports further disclose that principal photography is slated for London starting in October 2025, with a theatrical rollout eyed for 2026, subject to typical production and distribution timelines. No trailer, poster, runtime, or ratings details have been released, and additional casting announcements remain pending, sites like IMDb show.

Not a biopic, the plot centers on a race to contain or expose whoever uses the Nakamoto pseudonym, employing espionage, surveillance and political intrigue. Several reports detail that the script leans on genre staples—cat-and-mouse chases, coded clues, and conflicting agendas—to explore how a pseudonymous protocol designer became a modern folk figure.

The film’s backdrop taps well-known lore: estimates that early mining left roughly 1.1 million bitcoin dormant, the disappearance of Nakamoto from public view after 2011, and periodic speculation about whether the architect is an individual or a group. The premise invites comparisons to “The Social Network” in tracing technology’s cultural ripple effects.

As a fictional thriller, “Killing Satoshi” aims to widen Bitcoin’s presence in mainstream cinema while sidestepping unresolved debates about authorship. For now, the production timeline, core creative team, and thematic focus are confirmed; the rest—marketing beats, distribution partners, and release date—will likely be clarified as cameras roll in the months ahead.

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