Tokenization of Non-Financial Physical Assets Remains a Blue Ocean

The RWA tokenization market has reached $24 billion this year, growing 380% over three years. However, this figure hides a key issue: the vast majority of the growth comes from highly homogeneous financial assets. Currently, mainstream RWA protocols like Ondo and Centrifuge focus on credit and government bonds, essentially mirroring traditional financial products on the blockchain.

Therefore, the emergence and positioning of @LiveArtX caught my attention: LiveArt targets the $10 trillion investment-grade art and luxury collectibles market—this asset class has a historical annual return of 15-23%, but its liquidity is extremely poor, limited to ultra-high-net-worth investors.

More importantly, this demand has been validated.

MasterWorks has already scaled its art fractionalization in the U.S. to $1.5 billion AUM, allowing ordinary investors to participate by fractionalizing high-value artworks, proving the genuine market demand for the democratization of art investment.

LiveArt aims to demonstrate why "on-chain" is better than traditional models.

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